No. Not that Steve. Not even a Steve I’ve ever met before, to the best of my knowledge. Who can say for sure? I’m a drunk, a Leo, and a socialite. I forget meeting more people in a month than most people remember meeting all day… Or is it the other way around? *Drunk*
Anyway, I went to the Arts’ Fest, ’cause that’s what you do during the Arts’ Fest, and I found my favorite objet d’art. I’ve been stalking it for six years or so, and it is truly beautiful. I nearly get weepy when I look at it for too long. I’ve wanted to buy it ever since the first time I saw it.
What is it? Oh, right. You weren’t there stalking it with me. The artist calls it “paper collage.” I’ve also heard it described as a particular breed of decoupage. I usually describe it as a cross between an oil painting and a children’s pop-up book. The depicted scene is of a canal in Venice–no, not the one in California, and not the one in Florida. I mean the one in Italy–the original, the real Venice. There is a restaurant on the left, the canal flows back and to the right, and it’s got a sort of three-dee feel to it, with the boats standing out from the water, and the awnings standing out from the buildings. It’s fantastic, and I think I actually had dinner in that very restaurant several years ago.
As I said, I’ve wanted it for years. I’ve marveled that it hasn’t sold. I remember when it was listed at about $1700, and I’ve seen it drop in price, little by little, each year since then. I’ve always said that I couldn’t have it, since it cost over $1000. This year, it dropped to $925. I looked at it for a while, and went to Zeno’s to think it over. I’ve repeated many times in my life, for many reasons, “Thank the gods for Zeno’s.” Add one more time, and add one more reason.
Enter Steve, an apparent regular with a lot of free time, and a helpfully meddlesome tendencies. Steve, upon hearing my description of the piece, and my dilemma over whether or not to throw that much money at it, suggested the haggle. Upon hearing that I have no talents with regards to the haggle, he went out to suggest a lower price to the artist, and then report back to me.
The good news is that he found she’d knock of a hundred dollars if you asked her nicely. He suggested that she might do better is you gushed over the piece. He didn’t, being much less impressed with it than I was. (I have fond memories of Venice. Very fond. Very memorable.) The bad news is that the reason she’d do that is because she has several hundred nearly identical pieces lying around, ready to ship. It hasn’t been sitting unloved and unwanted for years. It’s been mass produced.
Bugger, that.
Steve, you broke my heart, but you spared my wallet. I’m not thrilled with what way went the day, but I think I owe you a beer.